Schnupp,
et.al., Auditory Neuroscience |
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Topic |
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Schnupp,
et.al., Auditory Neuroscience |
1 |
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Why things sound the way they do |
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Schnupp,
et.al., Auditory Neuroscience |
51 |
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The Ear |
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50 |
Schnupp,
et.al., Auditory Neuroscience |
93 |
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Periodicity and Pitch Perception |
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42 |
Schnupp,
et.al., Auditory Neuroscience |
139 |
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Hearing Speech |
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46 |
Schnupp,
et.al., Auditory Neuroscience |
142 |
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Speech as a Dynamic Stimulus |
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3 |
Schnupp,
et.al., Auditory Neuroscience |
149 |
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Categorical Perception of Speech
Sounds |
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7 |
Schnupp,
et.al., Auditory Neuroscience |
152 |
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Subcortical Representations of
Speech Sounds and Vocalizations |
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3 |
Schnupp,
et.al., Auditory Neuroscience |
159 |
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Cortical Areas Involved in
Speech Processing |
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7 |
Schnupp,
et.al., Auditory Neuroscience |
161 |
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The Role of Auditory Cortex:
Insights from Clinical Observations |
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2 |
Schnupp,
et.al., Auditory Neuroscience |
164 |
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Representation of Speech and
Vocalizations in Primary Auditory Cortex |
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3 |
Schnupp,
et.al., Auditory Neuroscience |
169 |
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Processing of Speech and
Vocalizations in Higher Order Cortical Fields |
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5 |
Schnupp,
et.al., Auditory Neuroscience |
173 |
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Visual Influences |
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4 |
Schnupp,
et.al., Auditory Neuroscience |
177 |
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Neural Basis of Sound
Localization |
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4 |
Schnupp,
et.al., Auditory Neuroscience |
223 |
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Auditory Scene Analysis |
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46 |
Schnupp,
et.al., Auditory Neuroscience |
223 |
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The sound of birds singing
in the trees, the rustling of leaves and branches, and the delicate patter of light
rain on tin roofs are some of the sounds that
help us to know our environment. |
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Schnupp,
et.al., Auditory Neuroscience |
223 |
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We frequently encounter multiple sound sources that are
active simultaneously
or nearly simultaneously. |
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Schnupp,
et.al., Auditory Neuroscience |
223 |
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All of the
sound waves from these different
sound sources are arrived at our ears all mixed together, we
nevertheless somehow hear them separately. This, in a nutshell, is auditory
scene analysis. |
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Schnupp,
et.al., Auditory Neuroscience |
223 |
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Sounds emitted by each source reflect its distinctive properties. |
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Schnupp,
et.al., Auditory Neuroscience |
227 |
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In discussing pitch, speech,
space, we could describe the relevant parameters by the early auditory system
–. Is it the enhancement for pitch, measuring binaural disparities, or
estimating notch frequencies for spatial hearing, estimating format frequencies
of vowels, etc. |
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4 |
Schnupp,
et.al., Auditory Neuroscience |
227 |
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Fully
integrated percept is most likely represented in cortex, often beyond the primary cortical fields. |
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0 |
Schnupp,
et.al., Auditory Neuroscience |
227 |
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Reverse hierarchy theory posits
the presence of multiple representation levels, and also the fact that consciously we tend to access the higher representation levels with their more ecological
representation of the sensory input. |
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Schnupp,
et.al., Auditory Neuroscience |
233 |
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At subcortical
levels, responses reflect
physical structure of the sound waveform. |
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6 |
Schnupp,
et.al., Auditory Neuroscience |
233 |
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Responses of neurons in audio cortex and association cortex levels may
encode the results of earlier-level auditory
analyses rather than merely reflect the physical structure of the sound spectrum at the eardrums. |
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Schnupp,
et.al., Auditory Neuroscience |
233 |
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Simultaneous Segregation and
Grouping |
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Schnupp,
et.al., Auditory Neuroscience |
233 |
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Included background
objects are only
partly visible and need
to be completed; i.e., the missing fragments must be inferred, but the visual images of
objects rarely mix. |
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Schnupp,
et.al., Auditory Neuroscience |
233 |
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The additive
mixing of sound waves is much more akin to
the superposition of transparent layers. |
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Schnupp,
et.al., Auditory Neuroscience |
234 |
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It is customary to start the
consideration of the properties of sound emitted by sound sources in the natural world at the level of the auditory
nerve representation. |
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1 |
Schnupp,
et.al., Auditory Neuroscience |
234 |
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The auditory
nerve representation of sounds is in terms of the variation of energy in the peripheral, narrow frequency bands. |
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Schnupp,
et.al., Auditory Neuroscience |
234 |
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We would expect that the frequency components coming from
the same source would
have common features
– i.e. the components of a periodic sound have a harmonic relationship, and all frequency complements belonging to the same sound
source should start
at the same time and possibly end that the same time. |
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Schnupp,
et.al., Auditory Neuroscience |
234 |
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Frequency
components from the same
sound source might grow
and decline in level together. |
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Schnupp,
et.al., Auditory Neuroscience |
234 |
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It is reasonable to expect that
the different frequency components of the natural sound might be linked in time and frequency, and more subtle groupings might also exist. |
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Schnupp,
et.al., Auditory Neuroscience |
234 |
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The rules that specify how to select bits of sound that most likely belong together often
referred to as gestalt rules, and recognition of the importance of gestalt psychology in framing the issues governing perception of complex shapes. |
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Schnupp,
et.al., Auditory Neuroscience |
234 |
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Common
onsets and common
amplitude variations are akin to the common fate grouping principle in vision, according to which elements that move together in the
space would be
perceived as part of a single object. |
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Schnupp,
et.al., Auditory Neuroscience |
234 |
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Gestalt
rules should be seen as heuristics that work reasonably well in most cases and may have been implemented in neural mechanisms. |
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Schnupp,
et.al., Auditory Neuroscience |
234 |
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Three
grouping cues or acoustic
gestalts – (1) common
onset, (2) harmonic structure, and the (3) common interaural time differences
(a cue to the azmuth
of a sound source). |
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Schnupp,
et.al., Auditory Neuroscience |
269 |
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Development, Learning, and
Plasticity |
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35 |
Schnupp,
et.al., Auditory Neuroscience |
269 |
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During the development of the sensory system, the anatomical
and functional organization of brain regions is shaped by experience during sensitive or critical periods of early postnatal life. |
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0 |
Schnupp,
et.al., Auditory Neuroscience |
269 |
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The plasticity during sensitive periods helps to optimize brain circuits to an individual's sensory
environment. |
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0 |
Schnupp,
et.al., Auditory Neuroscience |
270 |
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Learning is a lifelong process with extensive plasticity in the adult brain. |
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1 |
Schnupp,
et.al., Auditory Neuroscience |
270 |
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The development of the auditory system is a complex, multistage process that begins in early embryonic
life. |
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0 |
Schnupp,
et.al., Auditory Neuroscience |
270 |
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The ectoderm gives rise to both neural tissue and skin. |
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0 |
Schnupp,
et.al., Auditory Neuroscience |
270 |
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The otic placode: is induced to invaginate and fold up into a structure called
the otocyst, from which the cochlear and the ganglion cells, the future auditory
nerve, are formed. |
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0 |
Schnupp,
et.al., Auditory Neuroscience |
270 |
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The external
ear and the middle
ear have different
embryological origins from that of the inner ear. |
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0 |
Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
295 |
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Auditory Prostheses |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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Schnupp,
et.al., Auditory Neuroscience |
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